The Student Guide To SIFF 2021

The 2021 Seattle International Film Festival kicks off today and with 221 features from 69 countries, it can be daunting to say the least, especially for first time attendees. That’s why we made a handy-dandy guide to help navigate the festival. This is the first year the festival is virtual, which means that films will be accessible online only. Below you’ll find some information on how to watch films at SIFF!

Tickets & Events

Due to the pandemic, most films will be available to watch beginning midnight PST April 8th until the festival ends at 11:59pm PST, April 18th. While most films are available to watch anywhere in the US, some films are restricted to Washington state. There are also a handful of live events, including free Q&As, Roundtables, and forums. These will be held over zoom, and the dates, times, and links can be found here. Double check that your devices support Zoom and streaming by verifying they fit the requirements here. The full SIFF 2021 program can be found here.

There are two ways you can watch films at SIFF. You can either purchase a pass, which gives you access to all regularly priced film screenings, or you can by individual tickets to films you’re interested in seeing. As students, it can be difficult to make time to watch films during school, so take a look at your syllabuses and determine which option is most cost effective for you. You can purchase passes and six-pack tickets here, and individual tickets for specific films can be purchased under your respective film in SIFF’s Film Guide. Unlike previous years, there will be no standby status for tickets; when tickets are sold out, they’re sold out. To see which films have sold out or are selling out, you can check out SIFF’s Selling Quickly page.

After you have your pass or tickets, just go to watch.siff.net and log in or redeem your tickets to watch your film! SIFF films are also available to watch on the SIFF Channel App.

Memberships

SIFF memberships are a great way to get access to a plethora of perks that’ll help with the festival. SIFF tickets are usually $14, but with a membership you get $2 off every time. Additionally, you’ll also get a slew of year round perks with SIFF like discounted tickets, access to special screenings, and early access to presale of next year’s festival tickets. Memberships are $60 at the base level, but students can get discounted memberships for $40. If you’re a movie aficionado, the membership will pay for itself, plus the early festival access (for next year) will ensure you get tickets before they go on standby.

SIFF Picks

Like we mentioned, there are over 200 feature films at the festival this year and most of them don’t have any readily available reviews. If you look at the festival guide, you’ll only get a short blurb about the synopsis and nothing else. It’s a blessing because you’ll often find yourself surprised when you find a hidden gem, but it’s also a curse because you don’t know what you’re getting yourself into. The following selections are films that we’ve seen or heard good things about, and think will suit the tastes of students the best. To see a comprehensive list of all the films we’ve seen with their ratings, you can check out our Capsule Review Page.

Mogul Mowgli:

Fresh off his Best Actor Oscar nomination, Riz Ahmed stars as a British-Pakistani rapper, Zed in Mogul Mowgli. After he is forced to return home following a medical diagnosis, he must reckon his career path with the traditional expectations of his family. What ensues is a challenging and colorful exploration of what it feels like to be pulled between two cultures and identities. This film is a dynamic and bold answer to a question many immigrants ask themselves: Where do I belong?  

Censor:

Censor follows its main character, Enid, as she slowly begins to lose herself in her job censoring 80’s horror films. Enid’s state of mind begins to spiral out of control when she views a film with eerie similarities to her sister’s disappearance. As she tries to figure out what is happening around her, film and real life as well as memory and dreams begin to blur in an unsettling and bloody tale full of twists and turns.  

Charter:

Director Amanda Kernell won the SIFF Grand Jury Prize in 2017 with her film, Sami Blood. She’s back again this yeah with her latest film, Charter. The film follows a desperate single mom, Alice, in Kernell’s native Sweden, when she kidnaps her estranged children, fearing that she will lose them following the custody battle with her ex-husband. As Alice and her children trek across the tundra of Scandinavia Alice’s ideas of what is best for her children are challenged time and time again in a story of integrity, grit, and love.  

Ma Belle, My Beauty:

Ma Belle, My Beauty details the lives of two newlywed musicians, Bertie and Fred, as they settle down in their life in France. While Fred easily fits in to her native France, Bertie, an American struggles with their new life. In a surprising turn of events, Bertie invites Lane, Bertie and Fred’s past third in their polyamorous relationship, to stay with them in France. What follows is a sexually charge and tumultuous story as the three women figure out who they are and how they feel about each other.  

Waikiki:

Waikiki follows the plight of Kea, a Hawaiian woman who is living in her van after losing her home. When she accidentally hits a homeless man, Wo, with her van, they form an unlikely team. Together, the must navigate the streets and and reckon with their own identities in a paradise that has become increasingly exploited. Waikiki sheds light on the modern social and economic issues that many native Hawaiians face today in a beautiful yet surreal film.

SIFF 2021 Capsule Reviews

The 2021 Seattle International Film Festival kicks off on April 8th and runs through April 18th and UW Film Club is covering as many films as possible so you know which films to see! Throughout the festival, this article will be regularly updated with capsule reviews for festival films with the newest additions at the top. Check back every couple of days to see what’s new! Continue reading “SIFF 2021 Capsule Reviews”

Cynthia Li’s Top 10 Films of 2020

Like every corporate ad that has played over the last year in the pandemic, I can tell you how much the year 2020 sucked. Also, like every corporate ad, I can make some false statement that the world will get better after these “unprecedented times” and the power of films will be a step in helping ease the pain of these “unprecedented times.” I rather not. Continue reading “Cynthia Li’s Top 10 Films of 2020”

Rohan Patel’s Top 10 Films of 2020

2020 is undoubtedly the strangest and most twisted year that I have lived through. Granted, I am 21 years old, but it is important to remember that theaters shut their doors in order to prevent our pandemic from taking more lives than it already has. As a result, many of my most anticipated films including Dune, The French Dispatch, Last Night in Soho, and all Marvel films have been pushed to 2021. However, that did not dissuade me from pursuing my goal of seeing more new releases this year compared to the previous (which I am humbly able to claim I achieved!) Continue reading “Rohan Patel’s Top 10 Films of 2020”

PJ Knapke’s Top 10 Films of 2020

In the introduction to my top 10 list from last year, I was brimming with enthusiasm about the year’s cinematic haul. I had an endless supply of motivation to see everything I could from that year, and as a result I had the luck of finding many films that I will surely remember as longtime favorites. This article was published in January of 2020, and just about 2 months later, our new reality of everything being bad all of the time in just about every way began. Continue reading “PJ Knapke’s Top 10 Films of 2020”

Madelyn Land’s Top 10 Films of 2020

“One can’t depend on time. One doesn’t know. So, ultimately, that time has to be worth it even if it’s just existing. Even if it’s just being alive, breathing, if you can under these circumstances.”
–Martin Scorsese (from Martin Scorsese’s Quarantine Short Film for the BBC) Continue reading “Madelyn Land’s Top 10 Films of 2020”

Piper Coyner’s Top 10 Films of 2020

The COVID pandemic provoked mass hysteria amongst the film industry, prompting theatres to be closed, release dates to be pushed back, productions to be halted, and even pushing some companies out of business. Countless articles wondered about the fate of cinema, and whether the availability of at-home film rental portended the end of communal viewing culture. Continue reading “Piper Coyner’s Top 10 Films of 2020”

Stephanie Chuang’s Top 10 Films of 2020

It’s no secret 2020 has been an absolute mess of a year. In addition to a pandemic, the election, racial inequality, and much more, the movie industry was decimated. Films were delayed, then delayed again, then postponed or released on streaming services. Disappointment after disappointment followed each and every announcement bearing bad news. The movies I largely spent time watching were mostly from streaming services, and I must admit that most of what I watched were not your typical top tier worthy films. Continue reading “Stephanie Chuang’s Top 10 Films of 2020”

Maddie McDougall’s Top Ten Films of 2020

2020 was a crazy year, to say the least. Ostensibly, one of the only good things to come being stuck inside for months at a time was the abundance of time that was given to us to watch movies. While we may have been bummed about the rescheduling of films such as Dune and The French Dispatch (2021 will be the year of Timothée Chalamet), it is secretly a blessing in disguise. Continue reading “Maddie McDougall’s Top Ten Films of 2020”

Joe Lollo’s Top Ten Films of 2020

It goes without saying that 2020 was a crazy year for all sorts of things, and this includes movies – due to the COVID-19 pandemic, the closing of theatres and rise of streaming meant there were limited options for people to make and watch new movies if they didn’t have the apt resources. The last time I made a top 10 list, last year, was much easier than it was this year. While part of it is because there weren’t many releases at all, part of it was because a lot of the movies I watched that came out this year were really good. Of the 2020 releases I’ve seen, I would say that my top 20 are all great films that I will be ready to defend in a heartbeat. It was really hard to put only ten films on my list this year, so before we get into those, I think it would be best to quickly talk about those 10 that just barely made the cut.

Continue reading “Joe Lollo’s Top Ten Films of 2020”