Review: ‘The Iron Claw’: Sins of the Father

The story of the Von Erich family is one of triumph and tragedy. To many pro wrestling fans, they are considered royalty. From a young age director Sean Durkin (Martha Marcy May Marlene and The Nest) had an ambition to create a film detailing the family’s life. Not only were the Von Erichs renowned for their wrestling skills, they were also known for a string of familial tragedies. In his third feature film The Iron Claw, Durkin set out to tell their story.

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Review: ‘All of Us Strangers’: An Exploration of Love and Loss

Andrew Haigh paints a dreamlike picture in the emotional and beautiful All of Us Strangers. It is Haigh’s most emotional work to date exploring themes of love and loss through the lens of a quiet fantasy. Adam (Andrew Scott) and Harry (Paul Mescal) are the leading men who have a budding love, being the only two people living in a large London skyrise. The building is notably lonely and bare which seems to be something that Adam is used to since the death of his parents during his formative years. Harry provides solace for Adam as he explores what was lost during visits to his childhood home.

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Review: The Latest Rendition of ‘The Color Purple’ Shines Bright

In The Color Purple, directed by Blitz Bazawule, audiences relive the tale of Celie as she navigates the numerous hardships in her life in this coming-of-age musical based on the 1982 novel of the same name by Alice Walker. The expository novel was released to critical acclaim for its striking look into the hardships faced by women and African Americans in the early 20th century and won the Pulitzer Prize in Fiction in 1983. Walker’s work was also controversial having been banned, challenged, and censored numerous times across the country for its mature themes and depictions of violence. Nevertheless, this novel has integrated itself into the bookshelves of many around the world and there was roaring anticipation for the release of this year’s version based not just on the novel itself, but on the showstopping Broadway musical.

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Review: ‘Taylor Swift: The Eras Tour’ is Sparkling, Don’t You Let it Go

Singer-songwriter Taylor Alison Swift is no doubt a global icon. Her rise to stardom has seen her constantly shifting her identity as a musician and as a celebrity. Bursting onto the music scene with her self-titled debut album, Taylor has grown from a teenage country singer to a woman confident in her talents and her voice. Never afraid to reinvent herself, never afraid to stand up for what she believes in, Taylor is more than a pop star, she is an inspiration for her millions of fans. 

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Review: The Beautiful Grief of ‘The Boy and The Heron’

After almost a decade of secrecy, the infamous director Hayao Miyazaki has released The Boy and The Heron which is meant to act as his swan song before he finally retires from creating animated films.

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Review: ‘Ferrari’: A Cinematic Symphony of Speed, Sorrow, and Spectacle

2023 has been a return to the big screen for many old masters. The latest of these is Ferrari, the latest feature film from one of the most important directors of the last 40 years, Michael Mann. Ferrari documents a snippet of the life of Enzo Ferrari (Adam Driver) after the death of his son Dino. The Ferrari company has been struggling due to lackluster racing and needing to sell more sportscars to finance the expensive racecars they need to produce. This, paired with turmoil throughout Enzo’s personal life as he juggles running Ferrari with his wife Laura Ferrari (Penélope Cruz) and being there for his other son Piero (Giuseppe Festinese) whom he had with Lina Lardi (Shailene Woodley). Most of the film takes place in 1957 which is a wonderful choice from Mann. In many biopics taking on an entire life and fitting it into 2 or 3 hours is a tall task and rarely does the film or the subject justice. 

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Review: ‘Godzilla Minus One’: The Tenacity of Human Life

The world is an ugly nightmare filled with tragedy and death. Writer and director Takashi Yamazaki utilizes this harrowing worldview as the foundation Godzilla Minus One builds upon with its narrative and themes. While Minus One contains the thrilling kaiju destruction iconic to the king of the monster’s rich 70-year legacy, this recognizable attribute only plays a small role to elevate the focus of the film. That being its human story. The film is a hopeful look at how people come together to heal from the scars of a post-World War II Japan. Its compelling characters and heart wrenching set pieces culminate to present an emotionally resonant message: the beauty of human life, and the tenacity to preserve it.

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Review: ‘Wonka’ is Wonderfully Amusing Enough

Another remake? Not quite. In this day and age, movie studios are pumping out remakes and sequels to beloved franchises, even when no one particularly asked for them. Upon hearing of Wonka, another movie inspired by Roald Dahl’s novel Charlie and the Chocolate Factory, some may wonder whether this film was worth making and worth watching. But, if you get Paul King to make it, the director of the beloved Paddington movies, get ready for a heartfelt movie full of family-friendly fun—and this is exactly what Wonka turns out to be. As long as people go into this film with room in their hearts for a fun (albeit slightly predictable) time, then they’re in for a treat.

Previously, there have been two film adaptations of Dahl’s cherished novel, Willy Wonka and the Chocolate Factory (1971) and Charlie and the Chocolate Factory (2005). Both these films directly pull from the novel’s plot, following Charlie and the other kids who win trips to Willy Wonka’s chocolate factory, learning lessons in morality and honesty along the way. Wonka is a prequel to this story, telling the tale of how Willy Wonka comes to be the positively passionate, eccentric character he is.

The movie begins with Willy Wonka (Timothée Chalamet) moving to a new city as a poor young man excited to begin pursuing his dreams of opening a chocolate shop. However, things don’t go as planned and people aren’t as nice as he believes them to be. He falls into a debt to his landlord, Mrs. Scrubbit (Olivia Colman), and a Chocolate Cartel consisting of a corrupt policeman (Keegan-Michael Key) and a money-hungry chocolate shop owner (Paterson Joseph) who are out to stop him. Despite this unfortunate start, Willy never loses hope of selling chocolate. By getting help from others indebted with nothing to lose, Willy’s adventure of becoming a chocolatier also becomes one of spreading optimism and happiness to others.

What makes this story so charming is Chalamet’s performance as Willy. When the trailers for this movie first came out, the initial audience reaction to his acting was very mixed. Many people thought his lines were too stiff and had a forced humor to them. However, when these lines are seen in context with the movie, they sound natural and make total sense. Additionally, Chalamet’s delivery of these lines characterizes Willy through his intonation. From Willy’s confidence when he reveals his chocolates to a crowd, to adapting the delivery of Willy’s jokes to match other characters’ ups and downs, Chalamet proves he has the wit and whimsy to pull off a memorable Willy Wonka.

Another aspect making this an enjoyable watch is the numerous song and dance sequences. Although some of the songs may be less memorable and important than others, they’re not bad. Next to the full-scale dance numbers, however, we can see the effort and care that went into everything from choreography to set design. These big dances come with some catchy songs that get us smiling, vibrant colors and patterns everywhere, all which bring us into the joyful world of imagination inside Willy’s mind. These musical scenes are an entertaining way to drive the plot, in which it’s sometimes obvious what will happen next. Nevertheless, Wonka might not be an extraordinarily impressive feat in filmmaking, but it still makes for a heartwarming and sweet-as-chocolate two hours.

3.5/5 STARS

Review: ‘Poor Things’: An Odyssey of Sexual Liberation

In Poor Things, director Yorgos Lanthimos (The Favorite, The Killing of a Sacred Deer) crafts a tale reminiscent of a mythical hero’s journey, telling the story of a woman newly created by mad science embarking on a quest to discover herself. Bella Baxter (Emma Stone) is returned from the dead by Dr. Godwin Baxter (Willem Dafoe) with no memories and the mind of an infant, rapidly maturing as her brain grows to fit her body. She exists entirely within Godwin’s control as a scientific experiment, her movements meticulously documented by his assistant (Ramy Youssef) who quickly becomes infatuated with her. At the same time, Bella begins to discover her own sexuality, finding enjoyment in pleasure but confused by social constraints and soon desiring to see the world outside Godwin’s abode. An opportunity for her escape comes in the form of Duncan Wedderburn (Mark Ruffalo), a hedonistic lawyer who offers to take her away. The pair subsequently embark on a sex-filled tour of the Mediterranean, where Bella discovers within herself a deep desire to help the unfortunate of the world.

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Review: ‘Maestro’: An Ambitious Portrait with Missed Notes on Execution

Maestro is the second feature film directed by Bradley Cooper. He stars as Leonard Bernstein, alongside a wonderful Carey Mulligan who plays Bernstein’s wife Felicia Montealegre. Though Cooper starred, directed, and co-wrote (with Josh Singer) Maestro, Carey Mulligan is the film’s centerpiece. Several biopics in 2023, namely Priscilla and Napoleon, have focused intently on a relationship rather than the achievements of the main characters. This serves Maestro and Carey Mulligan well as she gives an incredible performance, moving throughout the decades from a spry young actress to a brittle aging woman. Cooper matches her brilliance by playing an energetic Bernstein who shows his love for his wife but also explores the sexuality of the composer who had many exploits with other men during and after his marriage.

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