Review: ‘Drive Away Dolls’: May the Best Coen Win

The film Drive Away Dolls seems like it should be great. It’s written and directed by Ethan Coen, a man known for his collaborative directing efforts with his brother Joel Coen on beloved films such as No Country for Old Men and Inside Llewyn Davis. The brothers have also collaborated on writing films like Fargo and The Big Lebowski. But after years of collaboration, the brothers decided to split and make films on their own. Drive Away Dolls is the first Ethan Coen film since that split. The film follows two lesbians, Jamie and Marian, as they take a road trip to Tallahassee, Florida. As they drive, they are unaware of the special cargo they accidentally ended up with and who is after it. Drive Away Dolls is your basic Coen crime comedy. Only it’s not as good.

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Review: ‘Lisa Frankenstein’: A Bloody Fun Time

Many people are saying the rom-com, specifically those characterized by a very specific but good-enough plot, is making a comeback. Now take that, add some blood and dismembered bodies, and you get Lisa Frankenstein, directed by Zelda Williams.

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Review: ‘Sometimes I Think About Dying’: A Poignant Exploration of Depression 

Sometimes I Think About Dying, directed by Rachel Lambert and based on the short film of the same name, stars Daisy Ridley as lonely office worker Fran. Every day is the same for Fran, until it isn’t. She meets a new coworker, Robert (Dave Merheje), who gives her something to look forward to every day. Although a bit awkward, Fran tries her best to enjoy a dinner and movie date with Robert. Juxtaposed within this narrative is Fran’s wildly imaginative fantasies about dying, what her body will look like post death, and the act of doing the deed. As sad as it seems, Fran is much more interesting than her insecurities.  

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Review: ‘The Beekeeper’: Sweet as Honey

I put off writing about The Beekeeper for a while, mainly because I had a lot going on when I first saw it, but also because I wasn’t sure what I could say about it. Its tense, cleanly shot action had already received much praise; some thought the film’s story was too dumb, others rightly responded, “What’s wrong with that?” This is a film about a beekeeper who’s an ex-agent of a group called The Beekeepers, where characters make various and probably unnecessary comparisons and allusions to bees throughout. If you can’t get on board with that, then this isn’t for you.

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Review: ‘Miller’s Girl’ Leaves Much to be Desired

The decline of the erotic thriller has left audiences unfulfilled, bored, and frankly over sex in the movies. The unbridled ecstasy of 80s erotica is due for a renaissance, though we’re obviously nowhere near this. Some of us ache for more, and some of us are satisfied with none at all. Miller’s Girl, directed by Jade Halley Bartlett, teeters somewhere in the middle of this, resembling its passionate predecessors, but ultimately succumbing to mediocrity and missed opportunities.  

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