Ms. Amy Adams, you are our underdog. Nominated for six Academy Awards, most followers of film agree that she is long overdue an Oscar. She is endlessly charming, and morphs into wildly different roles, from the quiet power of Peggy in The Master to the comfortable relatability of the titular Julie in Julie & Julia. To quote the kids, she has the range! It is frustrating that her most recent releases are films like Hillbilly Elegy and now The Woman in the Window. The Woman in the Window follows an agoraphobic child psychologist living in New York City who spies on her neighbors, Rear Window-style. Continue reading “Review: Amy Adams Deserves Better in ‘The Woman in the Window’”