Hats off to Ryan Murphy: The man is consistently contradictory. Just a few weeks after his new show Ratched hit Netflix, his adaptation of the 2018 Broadway musical The Prom arrives to the platform gussied up in a technicolor version of the same worshipful high school nostalgia as Glee, and riddled with the same condescension toward “average” people that defined Nip/Tuck and The Politician. Continue reading “Review: ‘The Prom’ is a Superficial But Fun Way to End 2020”
Louisa May Alcott’s Little Women is widely considered to be one of the most beloved coming of age stories of all time. The classic story follows the March sisters, Meg, Jo, Beth, and Amy during the Civil War as they struggle to get by while their father is away. It’s been adapted many times to various stage, film, television, and musical productions. Newest to this family of adaptations is Greta Gerwig’s film starring Saoirse Ronan, Florence Pugh, Emma Watson, and Eliza Scanlen as Jo, Amy, Meg, and Beth March. It is difficult to fully say how unique and pivotal this story is, and how much it is a tribute to women in particular as a female driven story. Little Women details life, loss, and love as it chronicles a bittersweet journey of growing up. Gerwig’s writing and directing, as well as the stellar performance of the cast, captures this spirit with a steadfast and dutiful hand.
Continue reading “Review: ‘Little Women’ is Heartwarming, Grounded, and Just as Relevant as Ever”