Review: ‘Nosferatu’: A Mesmerizing Nightmare of Erotic Desire and Terror

Robert Eggers is well equipped to tell stories full of abhorrent beings and often mad human behavior. The famous example here being The Lighthouse, just one of his entries to instill gruesome images into one’s mind like an intrusive thought (i.e., the mermaid scene). So disgusting yet framed so beautifully—it’s impossible not to get turned on. Many have often wondered how Eggers would then update the classic Nosferatu tale, and others were skeptical with the casting of Lily-Rose Depp as Ellen Hutter, replacing Anya Taylor-Joy. All objections are dispelled as praise for her performance is deservedly universal, and I don’t need to say more on thatshe’s wonderful in her role. EggersNosferatu stands as the definitive adaptation, proving himself as the only director capable of crafting a version that truly terrifies and captivates its audience.

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Review: ‘Juror #2’: A Compelling Courtroom Drama with a Twist

Legendary director and American icon Clint Eastwood’s latest film, Juror #2, is perhaps one of his most interesting works to date. Being primarily known for Westerns, Eastwood tries his hand at a courtroom drama, and the result is a simple yet captivating thriller with a very intriguing moral dilemma. 

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Review: ‘Those Who Wish Me Dead’ Burns Bright

So far in his filmmaking career, Taylor Sheridan has demonstrated that he knows how to do gripping survival situations. His action sequences always feel risky and down to the wire, like one wrong move could end the scene as quickly as it began. Those Who Wish Me Dead should be grand slam for someone like him: a film that leaves behind the fraught portrayals of sexual assault and poverty on a Native reservation in his directorial debut Wind River, but keeps the suspenseful action and sense of overarching danger nature can pose if you’re not careful. Continue reading “Review: ‘Those Who Wish Me Dead’ Burns Bright”