Review: ‘The Velvet Underground’ Asks For Your Attention

The team behind the documentary The Velvet Underground are certainly big fans of  the film’s namesake–at least that’s how the film comes across. Written and directed by Todd Haynes, this music documentary aims to show the influential rock group The Velvet Underground in all of their glory. To watch it feels like Todd Haynes and his crew are telling the story of how their favorite couple got together. The documentary clearly demonstrated a great sense of pride and admiration towards the band. The narrative progresses with a sense of anxiety, almost as if Haynes is afraid something might be left out and the audience might not fully understand all that is The Velvet Underground. The film’s attempt to fit in all the facts makes the story emulate the montages and split screen endeavors that the band itself explored. The elements the filmmakers felt were crucial to understanding the band, their moment in time, and their implications were looked at with wide eyes. However, the double edge of that lover’s sword is a confused vision. Watching The Velvet Underground is dizzying, an experience akin to rolling down a big grassy hill on a carefree day. The film is a phenomenal work of art but doesn’t have the space to catch its breath. 

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Review: ‘Mayor’ is One of the Most Important Documentaries Right Now

How is the role of a mayor in the de facto capital of Palestine different from that of one in any other city? The answer: not much. In fact, the daily routine of Musa Hadid, the main subject of David Osit’s 2020 documentary Mayor, is at most times quite banal. The film opens in a meeting between him and some council members, which becomes heated very quickly. You’d think they were discussing some crucial budget cuts or infrastructure planning, but in reality, they’re talking about consolidating their branding. Continue reading “Review: ‘Mayor’ is One of the Most Important Documentaries Right Now”

Review: ‘Unlikely’ is Not Here to Entertain, But to Educate

Unlikely is playing at Northwest Film Forum at 7:30pm on November 22nd, 7:30pm on November 23rd, 7:30pm on December 4th, 7:30pm on December 5th, and 7:30pm on December 6th.

When news of the “Varsity Blues” scandal broke out earlier this year, a spotlight was shown on the elitist and catering industry that is college admissions. Though multiple wealthy celebrities were found to have been directly bribing admissions officers and test proctors for their children’s benefit, it’s still no surprise that, even without cheating, students from wealthier families have statistically higher standardized test scores, and by extension, higher chances of college admission and graduation. Unlikely attempts to unpack this discrepancy and the reasons behind it with testimonials and statistics, while also offering plausible ways to address the issue on a national scale.

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Review: ‘Making Waves: The Art of Cinematic Song’ Will Cause You to View Films Through Fresh Ears

Although most people are familiar with the fact that Thomas Edison invented the phonograph, most are also unaware that he was also instrumental in the creation of the motion picture in his quest to visually enhance the phonograph’s auditory experience. Unfortunately, the technology of the first quarter of the 20th century was not able to sync picture and sound, but the fact remains that the visual and auditory components of a film were tied together from the birth of cinema, and sound has always played a huge yet under-appreciated role in one’s movie-going experience. Making Waves, the documentary debut of acclaimed sound editor and USC professor Midge Costin, is a simultaneously entertaining as well as highly educational film that highlights the often-overlooked work of sound design, and attempts to place sound back in its proper place as the equal counterpart of picture.

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Review: The Self-Reflexive Love Letter That is ‘For Sama’

For Sama is playing at Northwest Film Forum at 7pm on November 6th, 7:30pm on November 7th, 6:15pm on November 9th, and 7:30pm on November 10th.

The camera is the single most important invention in cinema. Without it, we could not visually see the stories that we want to tell. It is a magical device that lets filmmakers capture the stories that envelope them. However, the camera also becomes a filmmaker’s shield. It allows them to hide behind the object and not directly interact with what’s in front of them. In For Sama, that notion could not be any more different.

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