Review: ‘The French Dispatch’ Is a Love Letter to Writers Who Cover the Extraordinary

There is a joy in settling down to read a special newspaper or magazine article, one where you know the writer is cataloging the unordinary. Something about an everyday medium that normally covers topics and records events we consider commonplace (sports, politics, violent crimes, etc.) instead chronicling astonishment and intrigue is uniquely appealing—perhaps because it reminds us that the world is not constantly a cold, dull place. Two of my favorite examples of these are “The ballad of the Chowchilla bus kidnapping,” which recounts the hijacking of a school bus and the nationwide fervor that followed, and “Pellet Ice is the Good Ice,” which takes a deep dive into a kind of ice cube that’s hard to come by and unrivaled in quality. 

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Review: ‘Shirley’ Finds Itself Sinking into the Unsettling Nightmare of Art

Based on the real-life author Shirley Jackson, Josephine Decker’s fifth feature film finds its namesake protagonist (Elisabeth Moss) and husband, college professor Stanley Hyman (Michael Stuhlbarg) taking in a young couple (Odessa Young and Logan Lerman) as the husband, Fred, works under Stanley. The moment these two couples meet, a palpable tension remains in the air, particularly due to the stellar performance of Moss. Continue reading “Review: ‘Shirley’ Finds Itself Sinking into the Unsettling Nightmare of Art”

Review: Elisabeth Moss Shines in ‘The Invisible Man’

After Y2K, people probably thought there wasn’t much left that technology could do to scare us. Then, director Leigh Whannell retrofitted H.G. Wells’ novel to today’s technologically advanced backdrop and cast a wildly talented actress to bring this terrifying concept to life. Now I don’t know if I’ll ever be able to look at the Cloak of Invisibility from Harry Potter the same every again. Continue reading “Review: Elisabeth Moss Shines in ‘The Invisible Man’”