The Apatovian formula is simple: Pluck an up-and-coming comic from the small leagues, support them while they write their own darkly funny but authentically heartfelt semi-autobiographical comedy then produce and/or direct the final format. This method has led to many successes, even without Apatow’s name, including Amy Schumer’s Trainwreck, Kumail Nanjiani’s The Big Sick, and Pete Davidson’s The King of Staten Island. Continue reading “Review: ‘The Opening Act’ is a Nice Love Letter to Standup Comedy”
