As I said in my review of the second film, I do not like the Kissing Booth trilogy despite my unashamed love for teen comedy films. What I’ve really disliked about Vince Marcello’s first two attempts at “filmmaking” (a term I have always used very lightly with regards to him) is how shallowly Marcello portrays everything – both the actual relationships between characters and the so-called “deeper meanings” behind the plot, characters, and actions. What the first two films did have was viewership: the Netflix user data (obtained via totally legal methods) shows that audiences wanted more.
Continue reading “Review: ‘The Kissing Booth 3’ is Thankfully the Last One”
