As I reflect on the research I have done for this project and what it means in my own life, I feel a closeness to the centuries past, that I am not quite sure I have felt before. When I taste my Hefe-Weizen clone of one of the oldest surviving wheat beer recipes, I can imagine that many were drinking something extremely similar in a Bavarian tavern 400 years ago. I can imagine them making the beer as well, perhaps with less overall knowledge of the chemistry going on, but nevertheless the same exact process.

Homebrewed clone of the Paulaner Hefe-Weizen recipe
Through chemical analysis of beer residue throughout history, we know that there were fermented grains being utilized for many thousands of years. However, what kinds of other ingredients, brewing processes and experimentation they had to do is still very much obscured. Through the texts and archaeological data I have looked at, I believe beer was very much perfected in the 15th and 16th centuries. They had found the very meticulous process (that is still being used today), they knew how fermentation worked and they knew a good beer consisted of grain, water and hops. It is very much thousands of years of experimentation that led to this modernization of beer. This beer I am drinking, the beer that was being drunk in Germany centuries ago and the beers that are going to be drank in the future are all due to the experimenters of the past, who were brave enough to venture out into the unknown. I believe it is our job to continue the legacy of those experimenters, by upholding the magnificent process they handed down to us and by continuing to exploring the boundaries of what is possible with this wonderful process we call fermentation.




In my final project I used an object biography approach to understand how Chinookan sheep horn bowls can accumulate meanings through their lives. Procurement, production, use, and discard are the major periods in the objects’ ‘life’ (Kopytoff 1986). As horn bowls move through different periods in their lives, they have different uses and meanings to the people who interact with them. I examined ethnographic sources, letters, websites, and transcribed an interview to understand how meanings are not fixed. I particularly enjoyed learning more about how horn bowls are used in contemporary museum contexts (afterlife).


Spacing of graves can also tell us a lot about relationships and gender roles. For example, one set of graves that I recorded were all part of a family plot and were remarkably similar. They were all the same size, shape, and had virtually the same decoration and inscription, only differing to distinguish between “wife and mother” or “husband and father.” Alternatively, there were burials that suggested very different status for men and women. One example of this can be found in the St. Raphael section of Calvary Cemetery. One man’s gravestone is large, metal, and has an inscription that refers to his military service, as well as other religious decoration. Next to this is his wife’s grave, which consists of only a small, plain stone with her name, date of birth and death, and a small cross.